Lloyd Schwartz

Lloyd Schwartz is the classical music critic for NPR's Fresh Air with Terry Gross.

In addition to his role on Fresh Air, Schwartz is the classical music editor of The Boston Phoenix. He is the co-editor of the Library of the America's Elizabeth Bishop: Poems, Prose, and Letters. He is also the author of three volumes of poems: These People, Goodnight, Gracie and Cairo Traffic. He's the editor of the centennial edition of Elizabeth Bishop's Prose, published by Farrar, Straus, and Giroux in 2011.

In 1994, Schwartz won the Pulitzer Prize for criticism. He is the Frederick S. Troy Professor of English at the University of Massachusetts, Boston.

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Music Reviews
1:50 pm
Thu August 15, 2013

A Forgotten Quartet, Reissued And Reevaluated

A new collection of Brahms and Mozart recordings by the Stuyvesant Quartet from 1947 conveys a kind of inward grace.
Jay Shulman Courtesy of the artist

A movie last year called A Late Quartet told the traumatic story of what happens when a famous string quartet has to change personnel. But, in fact, most string quartets — like symphony orchestras, only more conspicuously — continually change players, because players retire, or die, or get more lucrative offers.

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Movie Reviews
4:41 pm
Mon July 1, 2013

Branagh Imagines Mozart's 'Magic Flute' In Wartime

Pamina (Amy Carson) and Tamino (Joseph Kaiser) in Kenneth Branagh's production of Mozart's The Magic Flute.
Revolver Group

Mozart's The Magic Flute, the last opera he lived to complete, has some of his most sublime and sublimely comic music. Technically, it's more of a musical comedy, what in German is called a Singspiel, a play with songs and spoken dialogue. I was excited to learn that it was filmed by Kenneth Branagh, whose Shakespeare movies I really admire. Mozart's mixture of fairy tale and high morality presents a great opportunity for a filmmaker; in 1975, Ingmar Bergman released a version for Swedish television that has become a beloved classic.

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Fine Art
12:40 pm
Wed June 19, 2013

The Art Of Life: Claes Oldenburg At MOMA

Oldenburg's fascination with simple, everyday objects often led him to food as a subject, as with Pastry Case, I, 1961-62.
Claes Oldenburg Museum of Modern Art

Originally published on Wed June 19, 2013 4:05 pm

The sculptor Claes Oldenburg was born in Stockholm but grew up in Chicago, went to Yale and came to New York in 1956, where he became a key player in the pop art movement — the major counter-reaction to the abstract expressionism that dominated the 1950s. So much for art history.

Although Oldenburg is a serious artist, probably no artist in history ever created works that were more fun. In a new show at the Museum of Modern Art — really two shows — practically everyone, including myself, was walking through the galleries with a huge grin.

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Movie Reviews
1:53 pm
Mon March 4, 2013

Cinerama Brought The Power Of Peripheral Vision To The Movies

A film still of New York City from 1952's This Is Cinerama. The film was meant to introduce audiences to the new Cinerama widescreen.
Flicker Alley LLC

Originally published on Mon March 4, 2013 2:51 pm

As early as silent film, directors attempted to create widescreen images. But in the 1950s it became a commercial necessity to give the multitude of new TV watchers what they couldn't get on a small screen. So even before CinemaScope, VistaVision, Todd-AO and Panavision, there was Cinerama — a process in which three projectors threw three simultaneous images onto a gigantic curved screen. Cinerama offered what no TV or movie screen could provide before — peripheral vision, which could make you feel as if you were really in the midst of the action.

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Movie Reviews
1:35 pm
Mon January 7, 2013

Mozart's Starring Role In 'Sunday Bloody Sunday'

John Schlesinger's 1971 film Sunday Bloody Sunday has just been released on Blu-ray. The film's complex love triangle starred Peter Finch, Murray Head and Glenda Jackson.
The Kobal Collection

Sunday Bloody Sunday is one of those films that lets you into the lives of believable, complicated characters. A handsome, self-centered young artist played by the actor/rock singer Murray Head is having simultaneous affairs with both an older woman (played with infinitely nuanced self-irony by Glenda Jackson) and an older man, a Jewish doctor (the touching Peter Finch), two intelligent adults who have mutual friends and even know each other slightly.

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