World Cafe is a cutting edge, two-hour program of alternative contemporary music. It offers a broad range of innovative sounds drawn from American as well as international music. It includes music that is familiar but also showcases works by new and emerging artists.
Girls' 2011 album Father, Son, Holy Ghost strikes a careful balance between creating music that sounds classic and writing something that's already been done. Ever since Girls' debut, Album, the band has been writing and recording music that's familiar, urgent and refreshingly simple.
JC Brooks and his band The Uptown Sound have made a name for themselves by bringing back the essentials of 1970s soul. Blending rock and R&B from the early '70s — with nods to the underground punk and hip-hop movements of the same period — the group is known for its classically retro sound. Guitarist Billy Bungeroth, drummer Kevin Marks, keyboardist Andy Rosenstein and bassist Ben Taylor provide the nitty-gritty groundwork for JC Brooks, a singer with funk flowing through his veins.
Originally published on Fri February 3, 2012 10:39 am
The celebrated alt-country group Centro-Matic hails from Denton, Texas. What began as a side project for singer-songwriter and guitarist Will Johnson in the 1990s soon grew into a full-fledged band. With 20 albums in just 14 years, Centro-Matic has built a solid reputation for playful yet masterful, country-infused rock. With Matt Pence, Scott Danborn and Mark Hedman supporting Johnson's quick wit and pop influences, Centro-Matic's catalog exudes both boundless energy and emotional restraint.
Chris Taylor may not be a household name, but you've probably encountered some of his work. Taylor was the bassist, producer and backing vocalist of Grizzly Bear on Yellow House and Veckatimest, in addition to running his own record label, Terrible Records.
Originally published on Fri January 27, 2012 1:06 pm
R&B icon Betty Wright signed her first local label deal when she was only 11, and by the time she was 17, she'd released her first hit single, 1971's "Clean Up Woman," which also crossed over to the pop charts. With a four-octave vocal range, an impressive grasp of the connection between gospel and R&B, and a sensual style, Wright continues to weave an impressive legacy. Her songs have been sampled by many hip-hop, rock and R&B musicians, including Mary J.