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Tom Huizenga

Tom Huizenga is a music producer, reporter, and blogger for NPR Music.

He is a regular contributor of stories about classical music to NPR's news programs and hosts NPR's classical music blog Deceptive Cadence. He is the classical music reviewer for All Things Considered.

Joining NPR in 1999, Huizenga spent seven years as a producer, writer, and editor for NPR's Peabody Award-winning daily classical music show Performance Today and for the programs SymphonyCast and World of Opera.

He's produced live concerts, including a radio broadcast of Gershwin's Porgy & Bess from Washington National Opera at the Kennedy Center and NPR's first classical music webcast from New York's (Le) Poisson Rouge, featuring the Emerson String Quartet. He's also produced videos of musicians playing in unlikely venues, such as mezzo-soprano Joyce DiDonato singing at the historic Stonewall Inn in Greenwich Village and cellist Alisa Weilerstein at the Baltimore Aquarium. He's written and produced radio specials, like A Choral Christmas With Stile Antico, broadcast on stations around the country.

Huizenga's radio career began at the University of Michigan, where he hosted opera, jazz, free-form, and experimental radio programs at Ann Arbor's WCBN. As a student in the Ethnomusicology department, Huizenga studied and performed traditional court music from Indonesia. He also studied English Literature and voice, while writing for the university's newspaper.

Huizenga took his love of music and broadcasting to New Mexico, where he served as music director for NPR member station KRWG, in Las Cruces, and taught radio production at New Mexico State University.

In his spare time, Huizenga writes about music for the Washington Post and overloads on concerts and movies.

Pianist Glenn Gould rocketed to fame in 1955 with his startling and original take on Bach's Goldberg Variations. Gould's fans were treated to a remake of Goldbergs in 1982, when he released a slower-paced rendition just before his untimely death. But it's that first, rapid fire 1955 recording that continues to captivate audiences.

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Tim Page is no longer afraid of death. That's the one positive takeaway for him after surviving a traumatic brain injury.

Last year, the University of Southern California music and journalism professor — who was also a child prodigy filmmaker, Pulitzer-winning critic, person with Asperger's and father of three — collapsed at a train station. He woke up in an ambulance speeding to the hospital. He's still recovering, still fumbling a bit with the jigsaw pieces of a life a now a little more puzzling, a little more amazing.

Ethel Smyth was not your typical Victorian lady. She defied her father, a stern army general, to pursue a career in music. She loved women, played sports and played an important role in the women's suffrage movement in Britain in the early 20th century. Along the way she composed chamber and orchestral music, an acclaimed Mass and six operas.

People ask why I thrive on classical music, and I tell them it's all about discovery. The possibilities for finding incredible music, both old and new, are endless as the oceans.

It's a brave new musical world. Between downloads, iPods, music sharing websites and the good old CD, we have more easy access to the songs and symphonies we love than ever before.

Robert Frost's famous poem "The Road Not Taken" begins with the line: "Two roads diverged in a yellow wood." Frost's traveler must choose between them. But slide that metaphor over to the world of classical music and you will discover hundreds of paths to explore.

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