WYSO

Robert Christgau

Transcript

AUDIE CORNISH, HOST:

The band Drive-By Truckers are in their third decade playing alternative country music tinged with Southern pride. Critic Robert Christgau says they put out a great album in 2008 then hit a lull. But he says their latest album, out this week, is a true comeback.

Sam Baker has a backstory that must be told. In 1986, at age 31, he was traveling by train in Peru when a bomb from the terrorist group Shining Path exploded right next to him. The little girl he'd been talking to was killed along with half a dozen others, and his own injuries required 18 operations. His mangled left hand was rebuilt; work on his ears left him with a loud ringing that never stops, though Baker says he's made his peace with it.

After six years as a sideman for many soul veterans, Marc Ribot made his name in 1985 with Rain Dogs, the album that marked Tom Waits' permanent transition from eccentric singer-songwriter to truly weird singer-songwriter. Ribot has held down straight gigs since then, but his work has tended toward the avant-garde. That's much less true on the song-oriented second album by the trio he calls Ceramic Dog.

Dad Country is the ersatz debut of Jonny Fritz, but it's actually his third album: He recorded the first two under the name Jonny Corndawg. I enjoyed his 2011 album Down on the Bikini Line, but it's so much slighter, so much sillier and more risqué, that at first I didn't connect the two. From the new album's first seconds, Jonny Fritz sounds more intense and pained.

The bare facts of Homeboy Sandman's back story don't sound very hip-hop: prep school in New Hampshire, Ivy League B.A., even some pieces for The Huffington Post. But, as is often the case with class and race in America, bare facts don't tell the whole story.

Big K.R.I.T. will turn 26 in August and seems halfway to stardom. His Def Jam debut, Live from the Underground, will feature a B.B. King cameo and is scheduled for a June 5 release. It should hit the charts high.

Sufjan Stevens is a classically trained singer-songwriter whose recent work has leaned symphonic. Son Lux is a classically trained beatmaker whose solo albums do indeed evoke luxury. Serengeti is a self-trained rapper who creates voices for a panoply of full-fledged characters who range from scufflers to yuppies. Billed as s / s / s, this ad hoc trio has just released an EP called Beak and Claw that somehow synthesizes their specialties.

Jeffrey Lewis is my homeboy. The prolific anti-folk singer-songwriter has lived less than a mile from where I live on the Lower East Side since he was born in 1975. Difference is, I moved to Avenue B as an adult, while he's a native — his dad is a Brooklyn-born motorcycle mechanic who hung with local politicos and musicians.