John Powers

John Powers is the pop culture and critic-at-large on NPR's Fresh Air with Terry Gross. He previously served for six years as the film critic.

Powers covers film and politics for Vogue and Vogue.com. His work has appeared in numerous publications, including Harper's BAZAAR, The Nation, Gourmet, The Washington Post, The New York Times and L.A. Weekly, where he spent twelve years as a critic and columnist.

A former professor at Georgetown University, Powers is the author of Sore Winners, a study of American culture during President George W. Bush's administration.

He lives in Pasadena, California, with his wife, Sandi Tan.

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Book Reviews
1:00 pm
Tue December 10, 2013

Frustrating Heroine Stars In Fresh, Feminist 'Nightingale'

iStockphoto

Originally published on Tue December 10, 2013 3:33 pm

There's an unforgettable moment in the diary of the great Polish writer Witold Gombrowicz. He's on the beach and he spots a beetle that's been blown on its back by the wind and now lies there helplessly, legs wiggling, unable to right itself. Gombrowicz saves it by turning it over. He sees another upside-down beetle, and turns it over. Then, another. Looking along the sand, he realizes that there are so many beetles he can't possibly save them all. Eventually, he gives up trying.

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Movie Reviews
12:30 pm
Tue November 19, 2013

'Great Beauty,' 'Narco Cultura': Excess, Succeeding Wildly

Toni Servillo plays a jaded journalist and perpetual partier in The Great Beauty, Italy's submission for the best foreign language film Oscar.
Guanni Fiorito Janus Films

Originally published on Tue November 19, 2013 3:36 pm

In The Marriage of Heaven and Hell, William Blake served up one of those mind-bending proverbs he's known for: "The road of excess leads," he wrote, "to the palace of wisdom." I thought about this line as I watched two terrific new movies that put Blake's words to the test.

Paolo Sorrentino's thrillingly good The Great Beauty tackles the idea head-on — it's an excessive film about excess. Sorrentino doesn't merely aim to update one of the most famous movies of all time (Fellini's portrait of decadent Rome, La Dolce Vita). He intends to better it.

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Book Reviews
3:01 pm
Mon November 4, 2013

Female Friendship Puts 'New' Angle On Italian Classism And Machismo

The Story Of A New Name Book Cover

Originally published on Fri November 8, 2013 9:46 am

Some writers you read and move on, but every now and then you read one whose work knocks you back against the wall. This happened to me with the great Italian novelist Elena Ferrante.

I first encountered her through her scalding 2002 novel, The Days Of Abandonment, whose narrator, Olga, may be the scariest jilted wife since Medea. What makes Olga scary is not what she does, but what she thinks and feels, and her ferocious precision in describing everything from lousy sexual encounters to her not-altogether-maternal feelings about her children.

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Television
2:50 pm
Thu September 26, 2013

'Masters Of Sex' Get Unmasterful Treatment On Showtime

Michael Sheen and Lizzy Caplan portray pioneering sex researchers William Masters and Virginia Johnson in a new Showtime series.
Craig Blankenhorn Showtime

Originally published on Thu September 26, 2013 3:34 pm

Way back in the 1950s — before people tweeted snapshots of their privates or posted their hookup diaries online — it was considered inappropriate to talk too much about sex. The guardians of culture treated it as something better kept in the dark.

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Television
1:57 pm
Thu August 22, 2013

Aussie Detective Jack Irish Is More Than Old-School Macho

Guy Pearce (front left) plays Jack Irish in TV movie adaptations of two Peter Temple novels. The films, Bad Debts and Black Tide, are broadcast by digital provider Acorn TV.
Lachlan Moore Acorn TV

Originally published on Thu August 22, 2013 4:28 pm

When Raymond Chandler first set Philip Marlowe walking down the mean streets of L.A., he couldn't have imagined that eventually every city, from ancient Athens to 21st century Bangkok, would have its own detective series. Of course, they're not all equally good.

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