WYSO

Jeff Lunden

Russian, American and French ballet dancers are gathering Thursday night for a bit of cultural diplomacy at New York City's Lincoln Center. They're celebrating the 50th anniversary of George Balanchine's masterpiece Jewels, considered the first full-length, nonnarrative ballet.

Pulitzer Prize-winning playwright Edward Albee has been in the news a lot lately. Albee died in 2016, and since then his estate has turned down a multi-racial production of Who's Afraid of Virginia Woolf? and put his contemporary art collection up for auction for an estimated $9 million.

Lillian Hellman's 1939 melodrama The Little Foxes has two great roles for actresses over the age of 40. Laura Linney and Cynthia Nixon fill those roles in a new revival on Broadway ... but with one big twist: Linney and Nixon play both roles and switch off at different performances.

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For decades, there have been exactly 40 Broadway theaters all between 41st and 65th Streets in Manhattan. Tonight, a new theater opens that also happens to be the oldest. Are you confused? No one better than Jeff Lunden to clear it up.

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Christmas is coming, and soon TV screens everywhere will light up with that 1946 holiday classic, It's a Wonderful Life. But the same story is coming a little early to the stage of the Houston Grand Opera. That's right: An operatic version of George Bailey's struggle with life and death opens this Friday.

Librettist Gene Scheer admits that adapting such a beloved movie has sometimes felt like a fool's errand. "It's almost secular scripture, this piece," he says. "Everyone knows all the lines."

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You might not know Marni Nixon's name, but you've probably heard her. The singer dubbed the voices for Deborah Kerr in The King and I, Natalie Wood in West Side Story and Audrey Hepburn in My Fair Lady — three of Hollywood's biggest movie musicals.

Nixon died Sunday at 86 from complications from breast cancer.

You often don't think of opera at the famed Apollo Theater in Harlem. Tonight that changes: Charlie Parker's Yardbird gets its New York premiere there. It's an opera about the jazz saxophonist on the very stage where Parker played in his lifetime.

The opera's Swiss-born composer Daniel Schnyder is a jazz saxophone player himself, who is also classically trained. He wants to combine his two favorite kinds of music.

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