David Edelstein

David Edelstein is a film critic for New York magazine and for NPR's Fresh Air, and an occasional commentator on film for CBS Sunday Morning. He has also written film criticism for the Village Voice, The New York Post, and Rolling Stone, and is a frequent contributor to the New York Times' Arts & Leisure section.

A member of the National Society of Film Critics, he is the author of the play Blaming Mom, and the co-author of Shooting to Kill (with producer Christine Vachon).

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Movies
12:04 pm
Fri March 8, 2013

'Oz': Neither Great Nor Powerful

James Franco stars as the Wizard of Oz before the Wizard meets Dorothy in Oz the Great and Powerful.
Walt Disney Pictures

Originally published on Fri March 8, 2013 1:34 pm

Oz the Great and Powerful. Say that name aloud and you will smile, I guarantee you: It will conjure up so many images, characters, actors, songs. Then hold that smile as long as you can, because you won't be doing much smiling at the movie called Oz the Great and Powerful, the so-called "prequel" to The Wizard of Oz from Disney Studios.

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Movie Reviews
2:26 pm
Fri March 1, 2013

A Disappointing Thriller Channels Hitchcock And Bram 'Stoker'

Nicole Kidman (left) and Mia Wasikowska star as Evelyn and India Stoker in Park Chan-wook's new thriller.
Macall Polay Fox Searchlight Pictures

Stoker has a ripely decadent, creepy-crawly feel that would have gotten under my skin if the tone weren't so arch and the people so ghoulishly remote. It's like a bad Strindberg play with added splatter. But director Park Chan-wook certainly works to make you uncomfortable. Take the early shot in which the teenage girl protagonist, India Stoker, played by Mia Wasikowska, sits in a meadow and muses in voiceover on the subject of free will versus destiny. She says, "Just as a flower doesn't choose its color, so we don't choose what we are going to be" — while draining a blister.

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Movie Reviews
11:53 am
Fri February 8, 2013

'Caesar' Comes Alive In An Italian Prison

Brutus (Salvatore Striano) fixes a wild stare at the witnesses and conspirators after Julius Caesar's murder, in a scene from Paolo and Vittorio Taviani's Caesar Must Die.
Adopt Films

Originally published on Fri February 8, 2013 1:09 pm

In the early '80s, Italy's Taviani brothers, Paolo and Vittorio, made one of the true modern masterpieces, The Night of the Shooting Stars. Set in the last days of World War II, when Germans laid mines all over Tuscan villages and Fascists loyal to Mussolini killed their own countrymen, it was a very cruel film.

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Movie Reviews
10:24 am
Fri February 1, 2013

'Gatekeepers' Let Us Inside Israeli Security

The documentary The Gatekeepers examines Israeli security policy in interviews with six former heads of the secretive Shin Bet agency.
Sony Pictures Classics

The Oscar-nominated documentary The Gatekeepers centers on Israel's occupation of the West Bank and Gaza Strip, but from an unusual vantage — not the Palestinians or Israelis on the ground, but six men at the pinnacle of the country's security apparatus: the former heads of the security agency Shin Bet.

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Movies
12:32 pm
Fri January 18, 2013

'Mama': A Good Old-Fashioned Horror Movie

Victoria (Megan Charpentier) and her sister, Lilly (Isabelle Nelisse), are near-feral orphans in the horror thriller Mama.
Universal Pictures

Originally published on Tue January 22, 2013 1:29 pm

I was weaned on horror movies and love them inordinately, but the genre has gone to the dogs — and to the muscle-bound werewolves, hormonal vampires, flesh-eating zombies, machete-wielding psychos, etc. It's also depressing how most modern horror pictures have unhappy nihilist endings in which everyone dies and the demons pop back up, unvanquished — partly because studios think happy endings are too soft, but mostly because they need their monsters for so-called franchises.

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