David Edelstein

David Edelstein is a film critic for New York magazine and for NPR's Fresh Air, and an occasional commentator on film for CBS Sunday Morning. He has also written film criticism for the Village Voice, The New York Post, and Rolling Stone, and is a frequent contributor to the New York Times' Arts & Leisure section.

A member of the National Society of Film Critics, he is the author of the play Blaming Mom, and the co-author of Shooting to Kill (with producer Christine Vachon).

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Movie Reviews
1:42 pm
Wed May 1, 2013

Two Indie Directors Go Confidently Mainstream

In Ramin Bahrani's At Any Price, Zac Efron stars as a teen rebelling against his family and dreaming of becoming a professional race car driver. Sound like a generic summer pic? Critic David Edelstein says the film has "a hell of a sting in its tail."
Hooman Bahrani Sony Pictures Classics

Studios are putting most of their eggs in $100 million baskets these days, even as American independent filmmakers go hungry from lack of mainstream attention. But two of my favorite American indie writer-directors, Jeff Nichols and Ramin Bahrani, have new films with bigger stars than they've had before — films they hope will break through to wider audiences. The results, at least artistically, are impressive.

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Movie Reviews
12:03 pm
Mon April 22, 2013

Tom Cruise's Latest Headed For 'Oblivion'

Originally published on Wed April 24, 2013 11:05 am

Transcript

TERRY GROSS, HOST:

In December, Tom Cruise starred as the title character in the film "Jack Reacher." In "Oblivion," which opened on Friday, he plays another Jack, one of few humans left on an Earth devastated by an alien invasion. "Oblivion" is based on a graphic novel co-written by Joseph Kosinski, who went on to direct the film, and it costars Morgan Freeman and Melissa Leo. Film critic David Edelstein has this review.

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Movie Reviews
11:48 am
Fri April 12, 2013

Terrence Malick And Every Man's Journey 'To The Wonder'

Olga Kurylenko and Ben Affleck play two lovers in Terence Malick's latest film, To The Wonder.
Mary Cybulski Courtesy Magnolia Pictures

Originally published on Fri April 12, 2013 1:17 pm

The voiceovers from Terrence Malick's To the Wonder, which has a lot of them, are intoned on the soundtrack while the characters stare into sunrises or sunsets — whenever the light is right, what cinematographers call, "the magic hour." This film and Malick's last, The Tree of Life, suggest that he's evolved into a blend of director and Christian minister: These are psalms writ on film.

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Movie Reviews
12:28 pm
Tue April 9, 2013

Going 'Mental' And Enjoying The Ride

Shaz (Toni Collette), a hotheaded stranger new to the Australian town of Dolphin Heads, becomes the unlikely answer to a local politician's problems when she steps in to nanny his children.
Dada Films

Originally published on Tue April 9, 2013 2:39 pm

Mental is madder than madcap. I heard one critic sniff, "It's kind of broad" — and, Your Honor, the defense agrees! But if broad means "unsubtle," it doesn't have to mean "unreal." Mental makes most other movies seem boringly, misleadingly sane.

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Movie Reviews
1:59 pm
Fri March 22, 2013

With Vengeance And Violence, 'Olympus Has Fallen' Flat

Aaron Eckhart and Ashley Judd as the president and first lady in Olympus Has Fallen.
Phil Caruso Millennium Films

What surprises me about the ongoing discussion of violence in cinema and whether it influences violence in the real world is how people fail to engage with the male fantasy behind these films. There's a template for them, a theme; it hinges on violation and vengeance. A seminal action picture of the last 50 years is 1988's Die Hard, in which a lone male cop operates behind the scenes after an ingeniously orchestrated foreign attack on American soil. He's symbolically emasculated — he has no gun or even shoes, his wife is now going by her maiden name.

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